Jessica, these are sooooo good! I am really starting to appreciate your technique. Before, the work that I saw was very restrained and maybe lacking in detail. Now, it seems like you've been doing this for years (wow, have you? :)
I love your "horses". Where are the "corns"?
Oh, and I'm freelancing by the way over here.
Great stuff, as usual, on the blog. Wishing you the best and thanks for the inspiration and the positivity!
I just noticed the details in the Jazz Singer watercolor. How everybody's eyes are closed, how the light is all in them, and how there are two fingers holding the page open. Who is holding the camera??? Art historians are stumped and will be for ages.
2 comments:
Jessica, these are sooooo good! I am really starting to appreciate your technique. Before, the work that I saw was very restrained and maybe lacking in detail. Now, it seems like you've been doing this for years (wow, have you? :)
I love your "horses". Where are the "corns"?
Oh, and I'm freelancing by the way over here.
Great stuff, as usual, on the blog. Wishing you the best and thanks for the inspiration and the positivity!
I just noticed the details in the Jazz Singer watercolor. How everybody's eyes are closed, how the light is all in them, and how there are two fingers holding the page open. Who is holding the camera??? Art historians are stumped and will be for ages.
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